Original Panel from Peter Follansbee's Blog.

I was contemplating the S Scroll carving that I had recently finished, and looking forward to trying a different technique on the next set.  The question in my head was, do you do the outline with ALL chisels, all V-Tool work, or a combination of both.  The answer according to Peter Follansbee is “All of the Above”.  I did the most recent panel with all chisel outlining only.  I’m going to do the next panel with V-tool outlining with some chisel work to outline the leaves.  I also had a couple of lingering questions on how much layout did I do to before starting, and how much is free hand, etc. etc.

Checking on PF’s blog he posted just recently about tool marks present on extant 17th pieces.  He did a close up of some marks on a Scrolled panel like I’m working on figuring out.  It showed some marks left visible from  whatever craftsman made it the first place, which helped me understand some of the layout tricks they used.

I did some work with a Paint program to highlight some of the visible marks.  I also modified the original image with “emboss” filter to show the lines better, which accentuates the V tool lines.

Lines overlaid the carving

Then I took the background away to show just what the layout lines would look like when starting from scratch.

Layout lines only

Which makes it much easier to understand the starting point of the design.  You layout just this part, and you can probably do the rest of the design with just tools with a little practice.  I found that to  be true after only four of the Scrolls on my previous panel, and I could see how after you do a bunch of them it would become second nature.  The half-circles would make it easier for the whole design to be visually consistent, especially if you were doing a whole bunch of these in a row.  You could do all the similar markings on one setting of the compass, and then set the smaller diameter and do them all in a row.

Remember these were production houses and working gentlemen making these, and if it was easy to repeat and you could get more efficient with a few tricks, then they probably did it.   I’m looking forward to trying this on my next panel…

Badger

Example of S Scrolls on 17th Century Furniture. Original Cupboard is at Yale University, made in New Haven or Guilford CT c. 1640-1680. Image from “Treasury of American Design and Antiques – Clarence Hornung”.

Today I spent some time practicing a bit of carving… with a pencil.  I recently read in a book recommended by The Village Carpenter (Kari Hultman) on her blog.  I’ve been reading it since I got into the hand tool woodworking, and it’s been an inspiration.  The book “How to Carve Wood” by Richard Butz recommended practicing some of the carving details on paper before putting chisel to wood, and I’ve been wanting to try some of the S Scroll type carving in the near future.  So I set out to try it today, and now that I have I highly recommend this practice for figuring out complex patterns.  I’ve been staring at the S Scrolls on period pieces, and it’s a bit hard to figure out where to start.  I know the theory, but the practice sort of intimidated me.

So I started out by laying out the layout lines I would use on the wood.

Step 1

Then I made rough half circles for the tops of the S, which in the wood I would probably do with a pair of dividers.

Step 2

Next I extend the middle of the S lines in a diagonal fashion, forming the middle of the S, paying attention to the thickness of the line I am forming.

Step 3

Once I’ve formed the S, I then start working on the floral inspired stuff that fills the space.  I found it very helpful to take the bottom of the S and form a small circle, and extend that into a leaf to fill some of the space in the bottom loop.  Same with the side leaves, extending up the middle guide lines with some curves that will become leaf shapes.

Step 4

Next I bring the leaf shapes of the middle, and bottom and fill in two leaf shapes between them, trying to form them using shapes of a chisel, since that is how I’ll outline these.  Then I just did the same thing up sides with the top leaves.  The basic outline is done at this point.  It helps to look at the negative space, to see how much is left, since you’ll have to carve this away.  Keeping it even is good too, but not totally required.

Step 5

Next I add some “veining” that I would do with the V tool, and play with some of the open space, to see if maybe leaving some moon shapes would look good.  It’s pretty free form at this point.

Step 6

That’s pretty much a complete S scroll pattern.  It can be repeated endlessly, and it can be scaled up or down to fit nearly any rectangle shape.  You find them with back to back S scrolls like I did here, or you see them as a single S alternating as a border.  I spent a few pieces of paper getting some of these sketched out, and I feel a lot more confident setting chisel to wood now.  I’m sure it won’t be as simple as sketching, but at least I now have a concept of how to lay it out.

Repeat multiple times for practice.

My next step is to apply this treatment to some Oak I’m going to turn into a saw box.

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